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CURRENT EXHIBITIONS



Who Shot Rock & Roll: A Photographic History, 1955 to the Present

June 26 - September 26, 2010

Organized by the Brooklyn Museum with guest curator Gail Buckland  

Presenting Sponsor: The Arthur F. and Alice E. Adams Charitable Foundation 

Exhibition Sponsor: Burch, Porter & Johnson, PLLC  

Media Sponsors: Clear Channel Outdoor and New Tech Graphics  

Family Day Sponsor: The Macy’s Foundation


Who Shot Rock & Roll: A Photographic History, 1955 to the Present is an exhibition about the men and women who have photographed one of the most important cultural revolutions ever, rock and roll. The music needed images to communicate its message of rebellion, freedom, and personal reinvention. The best photography of rock is skillful, sensual, sexy, creative, compelling, and underrated. It provides not only documentary evidence of cultural change but parallels the energy and potency of the music itself. Rock photographers see themselves as going to the front lines and not returning until they capture the frenetic energy, euphoria, and freedom that is rock and roll. They say, correctly, that no one would believe in the revolution unless there were pictures. Who Shot Rock & Roll will provide an opportunity for the public to see many of the original prints and to learn the names of the photographers who shot some of the world’s most iconic images. For, like the musicians they photographed, they, too, changed the world and how we see it.

 

The exhibition comprises behind the scenes images of artists such as R.E.M. at a lunch counter by Laura Levine; live performances including the complete series of Jimi Hendrix burning his guitar at the Monterey Pop festival by Ed Caraeff, which has never before been exhibited or reproduced; shots of teenagers pushing British bobbies at Buckingham Palace to glimpse the Beatles by a Central Press Ltd. photographer; a range of portraits including Philip Townsend’s photographs of The Rolling Stones before they had a record deal; and finally conceptual images and album covers taken by artists such as Andy Earl, Bob Whitaker, Jean-Paul Goude, David LaChapelle, and Storm Thorgersen. Among the many artists captured are Tupac, Kiss, Fugazi, Bjork, Salt ‘n’ Pepa, The Ramones, Prince, Amy Winehouse, and Metallica.

 

Learn More...

 

Ian Dickson
The Ramones, 1977
Silver gelatin print 16 x 20 in. (40.6 x 50.8 cm)
Ian Dickson/www.late20thcenturyboy.com




Photographs from the James K. Patterson Collection: Salon Style

On view through September 5, 2010

Curated by Marina Pacini, Chief Curator

 

The term “salon style” refers to the annual Salon exhibitions of the French Royal Academy of Painting and Sculpture, in which works of art were hung floor to ceiling. The Salons, begun in 1699 with government sponsorship, were fiercely competitive; for many these exhibitions were the best means of securing  reviews, sales, and commissions. Painters lobbied to have their works hung at eye level and despaired when their paintings were skyed, or situated at the top of the gallery walls where they were much less visible.   This exhibition is mounted salon style to allow visitors the opportunity to see a different method of installing artworks and to consider the relative merits and / or disadvantages. The two adjoining spaces are hung in a single row with the paintings in the small gallery focused on abstraction and the multimedia works in the larger gallery providing an overview of contemporary art. In contrast, the photographs here are installed with no concern for date or artistic style; rather purely visual relationships between the images have driven the layout. For example, the photographs on the east wall focus on details of human beings: Valerie Belin’s large bust-length portrait is framed on the right by a small Shirin Neshat photograph of hands and on the left by Vic Muniz’s head of Medusa. Under normal circumstances, this gallery would have fifteen to seventeen artworks hanging on the walls rather than the fifty-four images on view, all generously lent by James K. Patterson.



Lysistrata: A series of etchings by Pablo Picasso

On view through September 12, 2010

Curated by Marina Pacini, Chief Curator

 

Pablo Picasso (1881-1973) was extraordinarily versatile—he made paintings, sculptures, drawings, collages, and prints. Over the course of his long career, he worked in many different styles including symbolism (his blue and rose periods), cubism, classicism, and surrealism. Shifts in style and medium allowed him to address a variety of subjects and interests. He made prints throughout his life and although he initially preferred etching and drypoint, he also experimented with woodcuts, lithography, and intaglio. In 1934, Picasso illustrated Lysistrata for The Limited Editions Club of New York. The artist’s book included thirty-four block prints and six etchings. On view here is the portfolio published concurrently containing just the six etchings.



John Salvest: Consumo Ergo Sum

June 12 - September 12, 2010

Curated by Marina Pacini, Chief Curator

 

John Salvest has long made artworks out of used objects such as coffeefilters, cigarette butts, nail clippings, and chewed bubble gum. In hisinstallation, he has amassed hundreds of plastic bottle caps to make acolorful map of the United States that is both a visual pleasure andalso a reminder of the downside of our consumer society.

 

http://myweb.astate.edu/jsalvest/

 

Consumo Ergo Sum, 2005
Miscellaneous Plastic Container Lids
4” x 168” x 96”
Courtesy of the artist and Morgan Lehman Gallery, New York




Ex Libris: The Art of Ownership II

On view through November 28, 2010

Curated by Marilyn Masler, Associate Registrar

 

Printed bookplates, which have been in use since the 15th century, not only designate a book's owner, but also often reflect his or her status, occupation, and interests. This selection of bookplates from the permanent collection includes some extraordinary examples of the art form, produced in Europe and America, from the 18th to the 20th centuries.

 

Ottohans Beier (German, 1892 -1979).
Bookplate for Klara Krüger, 1922. 
Etching. 
Memphis Brooks Museum of Art; Gift of Louis P. Wulff  35.1.121


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